2001-2002

Summon Forth The Remembered World

“Language. Paint. Memory. And then there is the sheer beauty of Marcus’ paintings themselves. And part of their beauty is that they accomplish what the great Jewish-Russian writer Issac Babel hoped to accomplish in writing: ‘to summon forth the remembered world into observable feeling.’” — Howard Norman

Cloud Shadow, 2002, Kemer ink and shellac on Arches paper. 30 x 22 in.
Cloud Shadow, 2002
Kemer ink and shellac on Arches paper. 30 x 22 in.
Elegy (for Yehuda Amichai), 2002, Kremer ink and shellac on Arches paper. 30 x 22 in.
Elegy (for Yehuda Amichai), 2002
Kremer ink and shellac on Arches paper. 30 x 22 in.
Heliotrope, 2002, Kremer ink and shellac on Arches paper. 30 x 22 in.
Heliotrope, 2002
Kremer ink and shellac on Arches paper. 30 x 22 in.
Open Closed Open, 2002, Kremer ink and shellac on Arches paper. 30 x 22 in.
Open Closed Open, 2002
Kremer ink and shellac on Arches paper. 30 x 22 in.
Hunter Gracchus 2002, oil and alkyd resin on linen. 58 x 82 in.
Hunter Gracchus, 2002
Oil and alkyd resin on linen. 58 x 82 in.
Return to Blue (for Miles Davis), 2002, oil and alkyd resin on linen. 71 x 54 in.
Return to Blue (for Miles Davis), 2002
Oil and alkyd resin on linen. 71 x 54 in.
Body and Soul, 2002, oil and alkyd resin on linen. 58 x 82 in.
Body and Soul, 2002
Oil and alkyd resin on linen. 58 x 82 in.
Body and Soul II, 2002, oil and alkyd resin on linen. 56 x 82 in.
Body and Soul II, 2002
Oil and alkyd resin on linen. 56 x 82 in.
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